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"Honey West" Redux: Introduction

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     NEXT:   Opening Theme and Images of "Honey West"                 Episode One: The Swingin' Mrs. Jones     ANNE FRANCIS AS HONEY WEST, WITH BRUCE, HER PET OCELOT Who is Honey West? If you have to ask "Who is Honey West?" perhaps you are not among friends here, but I will humor the question, nonetheless. Honey West was a fictional private detective first seen in print in 1957, having been created the year before by Forrest "Skip" Fickling and his wife Gloria (under the nom de plume G.G. Fickling, the "G.G." standing for Gloria Gautraud, which was her maiden name). The saga of Honey West began in 1956 when [Skip] Fickling was talking to his friend, mystery writer Richard Prather.... “One day,” Fickling recalls, “I said, ‘Why don’t you do a female private detective?’ He said, ‘I’m too busy. Why don’t you try it?’ ”                            ...
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Episode 18: King of the Mountain

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Previous: How Brillig, O Beamish Boy               Next:  It's Earlier Than You Think    A suburban house at night. Two gunshots.  Sam crashes out of a window and scrambles toward the street, where Honey waits in her Cobra sports car.  Sam hops in, and Honey hits the gas pedal.  The two private eyes discuss their case while she drives. They are breaking into houses where they are photographing private papers such as tax returns. Their next victim is "Mr. King's  nurse," Ida Bering. Ida Bering (Allyson Ames) is, at that moment, pouring herself a drink. And pouring said drink into herself. She walks upstairs, perhaps a bit unsteadily... ...then turns back when she hears the doorbell ring. As a giant shadow is cast over her, Ida turns to face something that so frightens her that she screams. (Expertly. Screaming must have figured prominently in Ames's audition for this part.)  A big hand appears and pushes her ...
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Episode 19: It's Earlier Than You Think

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 Previous: Ep. 18  King of the Mountain                                        Next: Ep. 20 The Perfect Un-crime Just like last time, we begin with a suburban house and somebody crashing outwardly through glass doors. And, again, gun shots ring out.  But this time the defenestratee is not Sam. It is a man (Bill Catching) dressed in a dark, 1860s-style suit. He wears a stove-pipe top hat and sports muttonchop sideburns. (Note: Catching was a professional stuntman; so, even though you cannot see his face at all times, this is likely to be his own stunt, but that is not certain. Still, expand the second picture below and tell me that is not Catching.) He falls over the railing of the porch and tumbles to the ground. (Note the pistol in his right hand.) With his long-barreled revolver now in his left hand, he puts his right hand over an apparent wound on his lef...
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